“Those choreographers, MacMillan and Ashton , they knew how to translate complicated life into choreography. Manon is not stupid, Marguerite is not stupid, A Month in the Country is not stupid — they are rich, you can go as deep as you want. The stage is like a magnifier of thoughts and emotion and vibration, that’s what the stage is incredible for, because it makes you live other lives, it makes you experience other emotions, it makes you feel more beautiful, or more alone, or more angry, it makes you feel much more, more, more.”