Ivan Vasiliev decided not to perform Mayerling. Frustrating, for both audience and himself, who had told, more than once, Prince Rudolph was a role he wanted to dance. Appalled sighs from everywhere! What happened?
From Stanislavski’s Theatre letter on Facebook:
“However, on 6 April, in the midst of the rehearsal process, just five days before the performance, Ivan Vasiliev refused to perform, thus violating his commitments to both theatre and his audience. We are deeply sorry about how some of our colleagues refer to their responsibilities and the public, and we apologize to our viewers for the disappointed expectations.”
From the letter Ivan Vasiliev publicized, explaining his decision.
“I applied to the repetiteur from the Kenneth MacMillan Foundation asking to find a compromise solution and to draw up a different rehearsal schedule that would be convenient for both The Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre and the Bolshoi Theatre and to make it possible for me to perform in the ballet “Mayerling” as well as in the ballet “Ivan the Terrible”, but my inquiry was denied.”
I may not have all the facts, but seen from far away, on the available information, this is what I see:
Two ballet companies want the same dancer at the same time. The dancer, at his own health’s risk, is willing. Instead of cooperating and trying to reach a compromise at management-level, the two companies behave like spoiled children quarreling over his time. It comes down to the dancer – who, don’t forget, wanted to dance for both – to try to sort things out, and eventually make the decision of which of them he must dump…
The Victory of Intransigency! Can you find ANY OTHER benefit from the outcome? For Stanislavski? For Ivan? For the Kenneth MacMillan Foundation? For the audience? For Ballet? A perfect loose-loose situation!